IGAN D'BAYAN
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UNITED STATES OF ALLEGORY

The artist's work deals mostly about Weird Filipiniana. But for this particular piece, he decided to tackle America. The painting is his sort-of twisted love letter to the great U.S. of A. Lady Liberty is the main subject, but all around her are various American pop cultural and historical references: Warhol’s Velvet Underground banana, King Kong, jazz saxophonist Sonny Rollins, the blue Illuminati horse at the Denver airport, a scene from a typical cabin-in-the-woods type of horror movie, a Klansman, scenes of alien abduction, etc. The work is his take on how disjointed the entire world (supervised by America and powered by American interests) has become: the loss of moorings, how the center cannot hold, and things inevitably fall apart. There is a circus-carney atmosphere in the painting, but darkness is swelling.

Picture
Picture
Picture
Picture
Photos courtesy of Pinto Art Museum

  • Home
  • Works
    • Terra Pandemia
    • Ficciones
    • Exquisite Toxins
    • United States of Allegory
    • A Game Of Chess
    • Last Rites For Dead Rituals
    • Death by Audio
    • Dioramas of Doom
    • Gothika Filipina
    • End of Days
    • Love Craft
    • The Museum Ran Out Of Reality
    • Vortex Manila
    • Mysterious Diseases
    • Headfuck
    • Dead Beliefs & Black Vomits
    • Long Live The New Flesh
    • Metamorphosis
    • Assorted
  • Info
  • CONTACT